The new version of VSDC brings quite a few surprises, the updated Chroma Key toolset being one of them. We can’t be happier with the way it came out, and we’re sure you’ll love it too. The precision of chroma keying and the quality of the result is just outstanding, so even if you weren’t keen on removing backgrounds before, you probably will be after seeing how it works.

We suggest starting with this video tutorial about the HSL color space – the most exciting new feature in the Chroma Key toolset. Next, you can read the instructions covering the rest of the background removal properties.

If you haven’t downloaded VSDC 6.6 yet, you can do it here.

How to apply Chroma Key in VSDC

To get started, import your footage to VSDC, then open the Video effects menu and select Transparency - Background remover. The Object’s position settings window will pop up to indicate the point at which the Chroma Key effect should be applied to the footage. By default, the effect is applied from the cursor position to the remaining part of the file; if you’d like to change that – select the desired option and click OK.

Notice that once you apply the effect, you’ll be taken to a different tab on the timeline where the effect layer is located. The Properties window will slide-in from the right side – that’s where Chroma Key settings are located. If you can’t find the Properties window, right-click on the effect layer and select Properties from the context menu.

The Properties window contains three groups of settings:

1. Common settings
2. Adjustment effect settings
3. Background remover settings

Common settings allow you to add a title to the effect layer, change the moment when the effect appears in the video (by seconds or by frames), and the duration of the effect (in seconds or in frames).

Adjustment effect settings allow you to set the transparency level for the beginning and the end of the effect. This means you can either set a constant transparency value for the Chroma Key effect or you can have it gradually increase/decrease over time. To set the gradual change of the transparency level, you’ll be using the Initial value and the Final value. Keep in mind that 100% means full transparency and 0% means non-transparency.

For example, this is what the Chroma Key effect will look like if you set its Initial value at 100%, and the Final value at 10%:

Moreover, you’ll notice that many Chroma Key parameters provide you with the option to set the Initial value and the Final value as well. This means that if you want to set a dynamic background removal effect, you can do that, too. This feature comes in especially handy if the tone or the color of the background is changing during the playback.

Notice that the second line in this group of settings is titled Apply to source. “Apply to source” means that the changes will be applied directly to the original file you’ve uploaded – aka the source. By default, this option is deactivated to speed up rendering. If it’s deactivated, the software applies the chroma key effect to a scaled-down copy of the video. You should understand, however, that sometimes, scaling may lead to minor image corruption – especially, if the original file is not of the best quality. That’s why we always recommend using high-quality footage or, if you have a powerful PC, just switch this parameter to “True” and forget about scaling.

The last group of settings is called Background remover settings, and it allows you to fine-tune the Chroma Key effect parameters. We’ll take a close look at it below.

How to fine-tune Chroma Key effect in VSDC

In this part of the tutorial, we’ll go over the key parameters one by one and show you what difference each of them makes in the video.

The first parameter you want to look at is called Mode. Mode allows you to select the color space you want to work in.

In VSDC, you have three options:

• By YUV chromakey color – available in the free version of VSDC
• By HSL chromakey color – available in the Pro version of VSDC
• By chromakey mask – available in the free version of VSDC

The first two modes enable you to work in two different color spaces: YUV and HSL. The third mode named “By chromakey mask” is different. It enables you to upload an image to VSDC and use it as a mask to remove all the colors displayed in the image from your video. We’ll talk more about each mode in a moment.

If you select the HSL mode, you can also change Output. You should always use the “Composite” output mode unless you’re using Chroma Key to create a mask. In that case, switch to “Alpha-channel”.

The next parameter, Chromakey color, allows you to select the color for removal. We always recommend using the eyedropper tool and selecting the tone manually because the default bright green color may not coincide with the color of your background.

Notice that in the YUV mode, you can Add additional color if you need to remove more than one color from the video.

The rest of the background remover settings are displayed based on the mode you’ve selected: YUV, HSL, or “By chromakey mask”. Let’s take a closer look at each mode below.

YUV color space

You’ve probably heard of the RGB color space or encoding system. YUV is another tyfpe of encoding system which defines a color space in terms of three components: one luminance (Y) and two chrominances (U and V).

When you select the YUV color space mode, you can change the values of these components using the following parameters:

• Min/Max brightness (Y) threshold
• Min/Max chromaticity U threshold
• Min/Max chromaticity V threshold

These parameters are quite self-explanatory and they will help you remove the remaining green shades from the video if there are any. Each one defines the threshold for its own component. For instance, the color tones that are less bright than the minimum brightness threshold are removed from the video. In a similar way, the Min/Max chromaticity U threshold defines the threshold for blue color tones; the Min/Max chromaticity V threshold defines the threshold for the red color tones.

To visualize YUV color space in this context, imagine a three-layer cube where the minimum values form the deepest layer – the smallest red cube. Colors that fall into the space of the red cube will be removed from the video. The maximum values form the outer layer and the color values falling into this space will remain unchanged. Finally, the color values between the minimum and maximum are displayed as a spectrum of tones based on the effect transparency level you set up earlier.

If all three components (Y, U, V) are equal to 0, no chroma key effect will be applied to the video. If all three components are set to maximum, you’ll see a black screen because all color values will be removed.

Note that if you switch Adaptive alpha from 'False' to 'True', you’ll activate additional parameters that will help you achieve better results:

• Similarity value – this parameter sets possible color tone deviations. If it equals 0, the software will only remove the tone you’ve selected with the eyedropper. If you increase the value, the software will remove the tones that are close to the selected one.
• Blend value – this parameter helps you smooth the border of the object after the background has been removed. The higher the value is, the smoother the border will be.
• Kernel size – this parameter also helps you make the border of the object look smoother. The higher its value is, the larger border area will be edited.

HSL color space

HSL stands for Hue, Saturation, and Luminance (or Lightness). This color space is a Pro-level feature and it’s much more efficient at removing video backgrounds. Once you remove the background color using the eyedropper, the HSL parameters will help you achieve even better results. Let’s see how its parameters are different from the YUV mode.

Hue delta/Max Hue delta is a pair of parameters that sets a range of chroma key color tone variations based on their Hue values. The correct way to work with these parameters is to set Hue delta at 0 and start slowly increasing it until you see that most of the background is removed. Next, you should start increasing Max Hue delta to a value approximately twice as high as Hue delta making sure that you’re only removing the colors you want.

Lightness delta/ Мах Lightness delta – similarly, this parameter sets a range of chroma key color tone variations based on their Lightness values.

Saturation delta/ Max saturation delta sets a range of chroma key color tone variations based on their Saturation values.

Reduce contrast allows you to change the contrast level of the chroma key color (which is the color of the removed background). It’s convenient if you want to see the difference created by the effect, however, the value of this parameter doesn’t affect the resulting video.

The way Chroma Key works in the HSL color space is different from the way it works in YUV. Essentially, when you apply HSL, you create a mask by keying out the selected background color and making that space in the video transparent. To see the “mask”, switch Output to Alpha channel. The mask will look like a black-and-white image where the black space is the removed background.

Take a closer look at the borders of the mask: it’s usually rough and uneven. Because of this, the video may look unprofessional when you replace the background with another image or footage. To fix it, you can apply up to 6 chromakey post-processing filters designed to smooth the border.

The filters are customizable. That means you can select their modes manually based on what you’re trying to achieve. Here are the modes available for each filter:

• Maximize filter – this filter analyzes the area around each pixel and applies the maximum value to it.
• Minimize filter – this filter analyzes the area around each pixel and applies the minimum value to it.
• Median filter – this filter analyzes the area around each pixel and applies the median value to it.
• Blur filter – this filter applies the median value to the pixels forming the border of the mask.

Each filter has two more parameters: Level (the size of the analyzed area) and Stage order (the order in which filters are applied).

Even with all filters having the same value, just by changing their order, you can achieve drastically different results:

By chromakey mask

The third Chroma Key mode in VSDC is called “By chromakey mask”, and it’s significantly different from the previous two modes. In this mode, you manually upload an image containing the colors you want to remove from the video; the software detects the image colors and keys them out.

Here is how it works:

1. Switch to “By chromakey mask mode”.
2. Upload a “Chromakey mask” – an image containing the colors that need to be removed from the video.
3. Now, the software will compare the image and the video and remove all the coinciding colors from the video.

Once you do that, you can go ahead and tweak the parameters to achieve better results. Some parameters are similar to those in the YUV mode. So we’ll take a look at the unique parameters only:

Mask resize factor – this parameter allows for reducing the size of the uploaded image to speed up analysis. The higher its value, the smaller the image size is (which means there are fewer pixels to analyze). However, you should understand that the smaller the image is, the less precise the analysis will be, and that may affect the quality of color removal.

Resize mode – this parameter enables you to select one of the 5 image resizing modes:

1. Nearest neighbor interpolation
2. Linear interpolation
3. Cubic interpolation
4. Supersampling interpolation
5. Lanczos interpolation

Time to add a new background

Whichever approach you choose to remove the background from your video, the most existing part is probably adding a new background which can be both a video or an image. Go back to the main timeline tab and use the Add object menu from the top of the interface to select the desired file from your computer. Then manually place the new background one layer below the chroma key mask as illustrated below.

Use the preview feature to make sure everything looks good. Remember that you can go back to the Chroma Key settings at any moment if you need to make adjustments. Just double-click on the green screen video to access the background remover effect layer and use the Properties window.

Go ahead and try it for yourself! Remember to subscribe to our YouTube channel to get notified whenever we publish new video tutorials.

Download VSDC 8.2 now

Particles is a customizable video effect that helps you add floating particles to the footage: leaves, snowflakes, or anything else. There is a free gallery with particle templates available at the bottom of this page, but you can also upload any image to VSDC and turn it into a particle for your video. Whether you’re using a template or your own creative, you’ll be able to adjust the size of particles, their speed, quantity, rotation, and even the wind direction.

Particles is a newbie-friendly effect that requires zero video editing experience. Watch the tutorial below and learn to apply it within minutes. Then download any template collection and try it for yourself.

For amateur creators, the most obvious way to achieve a slow motion video effect is by reducing playback speed. However, this approach can be tricky. See, when you drastically reduce the speed of your footage, the video starts looking choppy. That’s quite disappointing.

In this quick tutorial, we’ll explain why simply reducing the playback speed is not enough to achieve a slow motion effect, and how to go about it using a feature called reframing.

Luckily, the new version of VSDC Free Video Editor includes two powerful reframing modes: Blending and Optical flow. So, before getting started, we recommend downloading it from the official website.

Watch the video tutorial to see how reframing works, and learn more about it below.

Why do slow-motion videos look choppy sometimes?

Suppose you want to reduce the speed of video playback from 100% to 10% of the original speed. When you do that, you technically reduce the number of frames per second – or the fps rate. And when you reduce the number of frames per second, you turn a video into stop-motion animation. The missing frames is what creates the stutter.

To help you visualize it, let’s take a gradient image as an example. An average video plays consistently, without hiccups; objects in the video move smoothly – just like the color transition in a gradient image:

When you reduce the playback speed to 10% (which is 10 times slower than the original video), you reduce the number of frames displayed per second by a factor of 10. That’s drastic. As a result, the video gets choppy. Going back to the gradient image metaphor, this is what it looks like:

To fix this and achieve a perfectly smooth slow-motion video effect, you’ll need to resort to reframing. Keep reading to find out what it is and how it works.

What is reframing and how does it work?

Reframing is an algorithm that allows for improving slow-mo videos with a low fps rate by creating additional frames.

There are three options available in VSDC Video Editor:

• Simple reframing
• Blending mode
• Optical flow mode

Let’s take a closer look at each mode.

Simple reframing is how your slow-mo footage looks originally without frame interpolation. It’s the default mode.

Blending helps you achieve a smooth slow motion video effect by filling the space between frames with duplicates and overlapping them in a proportion defined by the algorithm.

For those feeling geeky, here is how it works. The proportion in which frame duplicates will be overlapped is different at each moment in a video (see the illustration above). Suppose the cursor is moving from Frame 1 to Frame 2. If it has passed 30% of the way, the overlapping proportion will be the following: 70% of Frame 1 and 30% of Frame 2.

Since the cursor is still closer to Frame 1, the algorithm takes a major part of the image from that frame. As the cursor gets closer to Frame 2, the proportion will be changing. This approach is applied to every pixel of the video.

Optical flow is the most efficient reframing mode powered by artificial intelligence. In this mode, the software analyzes neighboring frames and, instead of duplicating them, it creates new unique ones.

Again, if you’re feeling geeky, the process looks as follows:

1. First, the software predicts what a frame between Frame 1 and the cursor would look like if it existed.
2. Second, the software performs a similar analysis for the space between Frame 2 and the cursor.
3. The result you see on preview is a blend of these two predictions.

So, what is the best way to create an impeccable slow motion video?

Now that you know enough about how speed reduction works in video and what reframing is, you can easily answer this question.

Reducing playback speed is almost never enough to achieve a good-looking slow-motion effect. Most times, you need to apply reframing. The reframing mode you should choose – as well as the result – always depends on the original footage. The higher its quality, the better the reframing result will be.

Remember that the video preview quality also depends on your PC power. If you have a low-spec computer, the preview may appear choppy. In that case, we recommend waiting until after you’ve exported the video to judge the result.

Timers can be a handy addition if you want to emphasize the duration of a particular moment in a video. They are widely used for timelapses, progress videos, tutorials, and sports highlights. Countdown timers can also serve as teasers at the beginning of a video or a new scene.

If you’ve been looking for a way to add a countdown timer to your video, there are two easy ways to do that:

1. You can quickly add a simple timer right in VSDC Free Video Editor.
2. You can download a video with a countdown timer from a free marketplace and add it to your clip.

Depending on your goals, one of these methods will surely help you. Below, we’ll review them both, one after another.

How to add a countdown timer to a video in VSDC

VSDC allows you to quickly create a generic timer for a video. You can have it on throughout the entire video or you can display it for a short period.

To try it for yourself, follow the instructions below:

1. Install VSDC on your PC, launch it and import your footage.
2. On the left-hand side, find the “T” icon and select “Counter”.
3. In the pop-up window, select “Whole parent duration” if you want the counting to continue throughout the entire video. Otherwise, select “From cursor position” and hit OK.
4. Manually place the timer on the scene.

Once you’ve added the timer, you’ll be able to customize two things: the design of the numbers and the counting approach. To tweak the design of the numbers, use the text editing menu at the top. You can change practically anything: their size, font, color, outline, and opacity.

To change the counting approach, go to the Properties window on the right-hand side and use the following parameters:

Playing backwards – select ‘True’ if you need a countdown timer, and ‘False’ if you want a direct time count.

Object duration time – if you want to display the timer for a short period of time in the video, use this option to manually set count duration in seconds or in frames.

Pattern – select the desired display option from the dropdown menu. For instance, you can display total days, hours, minutes, seconds, milliseconds, or frames.

And this is it for the first method! If you have any questions left, this video tutorial should make things clearer:

How to add stock countdown footage to your video

If you want to use a more stylized countdown timer in your video, here is a lifehack: use ready-made stock footage. That’s right, sometimes it’s the fastest and the easiest way to achieve the desired look.

1. Search for countdown timer videos on marketplaces like Videezy, Pixabay, Pexels, or Videvo.
2. Carefully read the terms of use and download the footage you like.
3. Place it before the scene you wanted to create suspense for.
4. Merge files using one of the transitions available in the Video Effects menu.

In the example at the beginning of this tutorial, we’ve used the ‘Wipe’ transition that imitates the movement of the clock.

VSDC Pro user? Check this video tutorial

If you happen to be a VSDC Pro user, you can create your own circular progress bar from scratch and customize it the way you want. Watch the tutorial below to find out how.

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